Монография представляет собой исследование философских взглядов одного из представителей второй половины XIX века, мыслителя, публициста, литературного критика, переводчика, издателя, Н. Н. Страхова.

CHAPTER I Introduction The history of mankind can boast not only of its times of fame and glory but also of quieter times with a different kind of heroism. ...

The paper is devoted to the analysis and identification of new philosophical aspects of the problem of justification of modern mathematics according to which to the end of the 20th century the most exact of sciences had experienced new shocks associated with the crisis of excessive complexity of the mathematical theories. In the context of justification of mathematics philosophical conclusion consists in the fact that from a methodological point of view for general assessment of whether mathematics is developed or not (...) just the lack of crises is more negative phenomenon than its too long trouble-free state. Accomplished fact is that a computer can be regarded as one of the serious revolutionary technological inventions of the last century, which has had a huge influence on mathematics. In this development of progress of contemporary mathematics, more precisely, in its instrumental technologies the new philosophical problems are revealed - this is the role of computers and the new standards of mathematical thinking. In addition, with the development of contemporary mathematics and the emergence of increasingly complicated and long proofs, they lose their methodological advantage - the property of visibility and convincingness. Within the philosophy of mathematics this problem has not been discussed yet, possibly because the leading mathematicians haven’t expressed their opinions on the subject. After that, we can wait for a methodologically important period clarifying details, which can make the process itself foundations of mathematics philosophical consummation as the crisis complexity; in mathematics it is not a ‘systemic crisis‘ carrying the potential danger of the destruction of all mathematical knowledge. (shrink)

Мета. Дослідження спрямовано на амбівалентні інтерпретації меж толерування жорстокості у філософії ХХ століття. Теоретичний базис. Основою дослідження стали концепції Жана-Поля Сартра, Жоржа Батая та Альбера Камю, які не виправдовують жорстокість, але показують можливість її легітимності за деяких умов. Наукова новизна. Автори встановили три головні лінії толерування жорстокості, які стали основою амбівалентної інтерпретації: 1) обґрунтування необхідності жорстокості в боротьбі за соціальну справедливість (Сартр); 2) обґрунтування можливості жорстокості щодо себе як наслідок прав та свобод людини (Камю); 3) обґрунтування доцільності гносеологічної жорстокості як (...) засобу, який розширює кордони пізнання (Батай). Висновки. Амбівалентна інтерпретація жорстокості, характерна для Ж. Батая, А. Камю та Ж.-П. Сартра, розмиває межі толерування жорстокості і відкриває простір для маніпуляцій, які можуть порушити права та свободи людей. Якщо концепція А. Камю попри дискусивність залишається в межах поваги до людської гідності, то в інтерпретації Ж.-П. Сартра людина, незважаючи на права та свободи, які декларує філософ, може сприйматися лише як інструмент для соціальної боротьби, а в Ж. Батая – як можливість отримати новий екстатичний досвід шляхом жорстокого поводження з іншими. (shrink)

Fonvizin's Mitrofanushka discussed the word "door" in roughly the following way: the word is an adjective as long as and insofar as the object it designates is applied in some task and works well. But when the mentioned door is present to his mind's eye only in its essential potentiality, only in itself, and has not been applied yet in some task, then Mitrofanushka defines such a door as a substantive noun. He makes it clear: "this door is for the (...) time being a substantive.". (shrink)

The extensive introduction of statistical methods of empirical analysis into modern science to describe social phenomena and their mechanisms calls for more attentive study of the philosophical foundations of notions of statistical probability and of the dialectics of necessity and chance in the area of societal cognition.

Hegel's Science of Logic is a unique intellectual center of the philosopher's development. In a sense everything that he had done previously was used in his search for a logical principle and in shaping a system of logic and everything he wrote later brought out the theoretical elements that it implicitly contained.

The article considers modern transformations of the ideas concerning subject’s cognitive abilities towards object because of the emergence and development of artificial intelligence (AI) technologies. The developments of scientists and engineers from National Research University of Electronic Technology (Moscow, Russia) in the field of artificial intelligence have been taken as a foundation and material of this research. Their analysis allows making a conclusion that the humanity is rather far from the realization of ‘strong artificial intelligence’. We need a qualitative breakthrough (...) in AI material and technological basis for it. Applying ‘model-dependent realism’ by S. Hawking in the course of the speculations in the article, the author concludes that the purpose of cognition in modern science is not to describe an objective reality, but to organize its subjective perception by some definite way. So, the purpose of cognition is the perfection of cognition models permitting a subject ‘to capture’ the reality. This idea is completely confirmed by Maturana and Varela’s autopoiesis theory and von Foerster’s ‘second-order cybernetics’. The article drafts some prospects of moving away from post-nonclassical scientific thinking in its current understanding, because the development of AI technologies results in ‘blurring’ borders of subjectivity in the cognition process. The author concludes that the modern world is moving in another epistemological paradigm where a new scientific revolution is inevitable. (shrink)

Titles of modern interviews are studied on the material of German mass media texts. Leading syntactic structures, communicative signs and pragmatical aspects of titles are analyzed. The most attention is paid to titles in form of questions or exclamation, which have the strongest communicative pragmatical effect. Exclamation and questions in the position of titles lose value of incentive and interrogative, incentive or interrogative remain only formally, which makes them quasi-incentive and quasi-interrogative. Exclamation and question functions go by the wayside, in (...) the first place extends forecasting capabilities for the content of subsequent title text. Besides, in article the titles in the form of question containing the address are analyzed. Illocutionary goal of these titles is an invitation to a discussion of the potential reader, and a joint search for common perspectives in this or that activity, for selected search of the most appropriate of all the possible solutions to a problem. They seem to reproduce the process of reflection of the author and cause to think about the issues raised by recipients. (shrink)

The spiritual world of medieval Russia can be represented by the works of the most characteristic, brightest and most revered authors. Among them, undoubtedly, such as John Chrysostom, John Climacus, Isaac the Syrian, Basil the Great. The first place in popularity in Russia at all times is John Chrysostom. His Words, i.e. Some small works on this or that topic were compiled into special collections or textbooks by Zlatostruj, Zlatoust, Margarit, and sometimes the name of Zlatoust was signed by works (...) that did not belong to him. It is also popular in collections of mixed, composed of works by various authors, mainly the fathers of the church "Izmaragd", "Golden chain". The name Zlatoust became synonymous with all "book sweetness". What is so fond of Chrysostom in Russia? (shrink)

In his book A History of the Culture of the Modern Period, the eminent scholar Egon Friedell wrote concerning Descartes's influence in seven-teenth-century France that all the efforts of the great philosopher's critics notwithstanding, "his school inexorably extended its influence not only through the ‘occasionalists,’ as his closest disciples and followers in philosophy were called, and through the remarkable logic of the Port-Royal school The Art of Thinking and Boileau's tone-setting work The Poetic Art: rather, all of France, headed by (...) the "Sun King," who at one time had banned Descartes's works, became his school. The state, economy, theater, architecture, religious affairs, strategy, and the art of gardening all became Cartesian. Descartes reigned unrestricted, as a sovereign, in all things: in tragedy, where the passions struggled with one another; in comedy, where algebraic formulas were devised for human characters; in the area around Versailles, dominated by the abstract symmetry of gardens; in the analytic methods for waging war and running the economy; and in the so to speak deductive ritual of hairstyles and manners, dances and genteel conversation. One can even say that to this day every Frenchman is a born Cartesian.". (shrink)